after the vocal treatments and acid lines of tallmen 001, moog feedback comes rumbling through as tallmen 002 kicks in. multi joins as a co-producer for d220 ghosts of guitar and synth lines weave in and out as it picks up momentum, the kick drum planted firmly in the chest plate and swirling high-hats complete this burner of a track. floating ground returns to acid but not as one would expect. a simple melody turns into a strange animal, flying at once into outer-space then landing squarely on the 1, this is not your average acid tune.

dreamy, warm atmospheric, perfect electronica/house hybrid album

mathias kadens project with japanese vocalist debut release on mule musiq. mathias and tomomi have already collaborated on mathiass latest album and maybe you remember excellent dj koze remix of the song. main version on a side is atmospheric dub techno tune with mysterious japanese voice. on b side, lawrence made deeper and club friendly remix and beats version is simple dj tool.

big strick drops a soulful house number, while gh bangs out a big big groove. then they team up for a melodic dance track. simple chords, groovy baseline and knocking drums.

truncates 10th release going back to the basics. simple, raw and effective.

founded in 2012, numoment recordings is established on the simple basics of house and techno music. faithful to its founders fairminded pragmatism, numoment recordings remains, as its name suggests complety contempory, inspired by deep and eclectic sounds. way more than a catalog of tracks, this label endeavors to offer to its listeners a memorable and unique moment. dj steef continues to distill his groove by signing the 10th release of the label and delivering a new ep, « turbofolk» available on vinyl in a limited edition. two tracks called:« gonna getta », as sexy as a summer nap: mid-tempo rhythm, sensual voices and an unstoppable bass line… the perfect track to open the hostilities on the dance floor!« new player » only requires to be justly played : funky synth lines, soul voices and catchy guitar riffs for a result in the way of motor city drum ensemble!

124black is the new sub label from 124 recordings with the aim of promoting a darker, harder sound firmly rooted in the underground. all releases are strictly limited and available only on 10 inch translucent vinyl. first up is jacob b, rapidly gaining a lot of recognition for his deep and chunky club cuts, aptly demonstrated on >basement crowd< with solid drums, suspense filled strings, a spoken word vocal and a bassline that shows you exactly where the title of this track comes from. next is another 124 family member, liam geddes late night jam, >somebody in the house<. with its haunting stabs, groovy baseline and snare rolls, this a simple, yet very effective track that works equally as well in a small club or large warehouse! on the b-side, cecil returns to 124 with >bv< a track very much aimed at the dancefloor and replete with the producers signature deep stabs and chords, that work alongside a sub bassline that you feel rather than hear. a peak time track...

we are very happy to welcome back fx mchn since his track jackie on number 1 got so much support, he has given us a dark rave beast. alphonse delivers another machine based twisty thing with drum tweaks from the other lht man prima who is releasing his first solo track on the next one number 5 .... heads up! facade comes correct with a whole side to himself - a simple house groove that will make any party an lht party, and a cheeky bonus track that sounds like a lost electro funk gem from rimini via harlesden and brooklyn.

fresh from lovers rock: two new hypnotic live takes from ital, recorded at red bull studios in madrid this june. aptly-titled a-side *throbbing* rides a spiraling arpeggio in and out of focus against a jacking 909 beat, while *nodding* builds from a simple motif into a resonating, full-immersion soundscape.
continuing the thread started earlier this year with his 12 inch for workshop and the interplanetary prophets collaboration with jamal moss, *throbbing / nodding* showcases itals move away from a computer-based approach into live hardware. the results are two stunning balancing acts, simultaneously propulsive and melting, mysterious and raw.

the mysterious lord of italo hooks up with il bosco on the latest hot 4 tracker from red laser. a simple and dark bassline with haunting lasers creates the bubbling imagery of a journey through manchester at night. where are we heading? to the fukin disco mate. how we getting there? in il bosco s 10 year old ford focus with the fat system g. why is the underside all crumpled? cos dj emerald beached it in tib street car park. windows down on a summers night? no, theyre broken. kid machine rocks the quickest shit i ever heard him make with this italo-electro-disco smasher. the title track to a film score that doesnt exist maybe ? this sci-fi thriller gives bass line collectors their monies worth and the beats are seriously heavy, but my favourite thing about this recording is the glittering euphoric interludes that appear twice in the track and make the whole composition complete. his strongest stuff yet. yes yes yes starion returns with another cosmic italo disco bubbler. its the soundtrack to a film set thousands of years in the future about a pimpin robot called night flanger. he makes sure all the fembots undercarriages are maintained and well lubricated when hes on a night out drinking diesel and smoking aluminium too hot to handle. too cold to hold. dirty girl is a boogie electro funk jam from il bosco. a chopped up rare as fuck record. can you find out what it is? probably. if you do and you know how to contact the artist let us know... do not miss!

the ep starts with peace in the world, an infectious, assertive stomper that hooks you with a simple keyboard riff and vocal sample. the energy doesnt let up on runnin, though that cut is decidedly deeper and smoother. the flip finds montel turning it back up to 11 with ecstasy, a dramatic club anthem, and get down, a funky, elastic burner that closes the 12inch

after take 1 comes take 2, it sometimes really is that simple. together with the pre-take that came out before the summer this third volume in wphs our beat is still new project completes the 12 tracks that form the album. more members of the core wph family are on board here, but we also welcome some newcomers to the label.

parisian label mlh are pleased to present the first vinyl release with four tracks by the ny legends the dat project and the groove victim.based in paris, mlh brings real house music tracks based on raw rhythms, infectious stabs and hard hitting grooves, written somewhere between chicago, new york, london, berlin and paris. the sounds of house compilations are intended to be a simple contribution to the history of a relatively young musical scene but whose culture is already full of true legends. this time, the major league house have chosen two new york underground house scene activists to appear on its first vinyl. a-side signals the return of the legendary dat project, better known as william rosario. with 25 years of experience, numerous aliases and more than 350 releases in notorious imprint as nervous records, strictly rhythm, umm, next moov traxx… william rosario is considered as a pioneer of the dance scene. the dat project tracks come with the genuine old school deep house vibe from a producer who was there at the beginning. the release features 2 of his oldschools classics especially remixed and remastered, including the 92s hit >let the rythym move you<.on the b-side, mlh present two stomping tracks by the mysterious jay brown. under his groove victim alias,he brings us some deep dopeness coupled with swinging beats and atmospheric synth melodies. after several great releases as the wanderings ep, foul tracks ep, the chosen tracks ep…on imprints as cyberjamz and my love is underground, the groove will definitely grab your attention with these two hard grooving tracks...

following on now from mayo soulomon, fbnm are proud to present our next release from another italian producer giorgio luceri. giorgio delivers two sumptuous house tracks here with completely opposite dispositions, the breezin balearic bliss of prophetic vibes versus the dark detroitian dissonance of woman. woman, with thudding drums and deep subs setting the picture right away. warbling synth begin to layer before the crescendo begins with fat analog stabs, rushing synth pads and airy groans. massive. detroitian. dancefloor. destroyer. lastly kai alce (ndatl muzik | atl) remixes of woman. simple but effective kzr delivers a retro house groove fitted out with lo-fi samples and old school sequenced mpc drum!

it is jam citys turn to deliver a batch of sweaty, streamlined dancefloor weapons on the 6th installment of the club constructions series. the minimalism and intensity of jersey club music remains a huge influence on the whole night slugs camp, and while jerseys impact can be felt across the cc series, jam city channels those devastating ghostly kick drums like none other. continuing on from where he left off with club favourites *the courts* the *how we relate to the body*, jam drops 5 lean and intense drum workouts build from scrap metal and primed for warehouse use. they move between thudding midrange persistence and just-sub-and-air minimalism, framed by jammed drum machine rhythms and splashes of re-sampled colour. jam decorates these sturdy and well-deployed undercarriages with silvery detail, percussion fragments, broken talkboxes, whispered vox and simple, beautiful chords.

finally remcord is back on atmosphere records and it wont go unnoticed. this ep features two of remcord’s new tracks alongside remixes of kollektiv ost (simple as that records, 3000grad) and arts & leni (ton liebt klang, ostfunk).

later on as dusky, the british duo of alfie granger-howell and nick harriman have asserted their position amongst the top producers working in electronic music right now after releases on anjunadeep, naked naked, aus, and its sister label simple.

for those of you who dont already know, plaster is an electronic music project born in rome in 2008 and comprised of gianclaudio hashem moniri and giuseppe carlini, best known for their works on german label stroboscopic artefacts, berlin-based unoiki and ukraine-based label kvitnu...
now the italian duo find themselves in london, joining forces with touchin bass to weave together a damn fine four track ep which aims to mix a combination of styles from downtempo, dark, brooding beats to more compelling rhythms which have the capacity to make you dance... plasters sound is impressively textured with rich eclectic tones. it is simple but effective, showing different emotions, tempos and styles.
look no further... this ep will draw you in, chew you up and spit you out, but you will be all the better for it.

ever the shape -shifters and genre-benders, on their newest ep lullaby san-francisco dance darlings pillowtalk move away from their innovative brand of housified soul and look toward the misty terrain of lush, 80s-inspired synth-pop. turn down the collars on your izods, switch on your walkman, and drift into that delicious space between waking and sleeping, love and loss, making out and making up.

a brand new label split between stockholm and york, homes of the two artists on this first release. despite the label name, this is far from being the final chapter, simply the beginning of a new collaboration to push raw club tracks and machine tones inspired by chicago house and detroit techno. full force, full quality electronic music, plain and simple.

the first collaboration from seasoned chicago electronic artists k-rad (chris grabowski) and opcode66 (todd mariana), kno-001 is a deep and techy ride through space and sound. *from dark to light* offers a tasteful, musical journey geared toward experienced listeners and late night party people. reminiscent of watching the night sky transform into sunrise, *from dark to light* captures and explores this glorious experience. with simple, driving bass, an edgy monosynth riff and well-crafted sounds, strings help carry the piece through its musical transition as it builds and ends with great energy. *dream about* subtly addresses concepts of isolation and futility as realities. listeners may contemplate the relationship between reality and dreams (and the necessary functions of each) while immersed in slowly-evolving melodies. with many incidental sounds worked into the fabric of the piece, simple and satisfying percussion, and lush effects trails, *dream about* playfully and defiantly transfigures reality into something dream-like.

describing mathias & marco (aka mule) is quite easy, these two freaky guys simply love what they do! in a world of selfmade cookies, glitter and confetti we only add a sixpack of beer, cool beats and the crazy party has already been started! well, life could be as simple as that when you just open your mind for a smile. with jeahmon!005 we represent this attitude to life and also say hello to >mr. & mrs. q< with their veeerryy warm re-edit on b1. love is in the air! so jeahmon! records really misses no sunshine this summer...

>simple setup< in fact, this fine tune could have the capability of becoming a true >summer hit< – unfortunately we will release it not until september 2013. but maybe you like its loose and uplifting atmosphere anyway. christopher rau must have produced this good-humoured work with a big smile in his face. >save the energy< attentive boys and girls surely realize that we made a misspelling on the label! so what! more unlucky would be if we release a bad track. but christopher turns out in an experienced way what he knows best: relaxed deep house with a melancholic touch.>athens< what a rumbling tune! one definitively should play >athens< on a good sound system to enjoy its profound sub bass. and dear djs, please dont underrate it just because we placed it on position b2. played at the right time this track can work on the floor as well as the other ones.

the summer might be almost over, but groovetraxxs is just getting started with an impressive vinyl debut. label boss le babar teams up with fellow belgian pat lezizmo for a delightful piece of underground house music that sets the groove and gets you going on the dance floor. deep basslines, fresh drums and a simple melody are some of the ingredients to *another love*, but it is that oh so special vocal hook that really sets the mood. on the flip, two remixes complete the already-impressive 12 inch. golf clap give the track a more laidback-vibe with their trademark classy smoothness, while scott diaz turns it into a never ending pumping beast, perfect for those peak time moments. this is a release you cant afford to miss!

after his eternamente ep on mathematics, giorgio luceri returns with an amazing debut full length album. combining classical keys with the old and new sounds of electronic music, he creates an atmosphere perfect for dark club floors, open air festivals, and afterhours. 10 tracks total. comes as black vinyl double 12 inch in a mathematics die cut sleeve.

black vinyl !! echo 106 debuted with the well received broken hihat machine and returns with this masterful full length. he grabs influence from classic electro, chicago house, detroit tech and throws down a distinct sound and flavor true to his own. 17 tracks total on double 12 inch vinyl. comes in a mathematics die cut sleeve.

echo 106 debuted with the well received broken hihat machine and returns with this masterful full length. he grabs influence from classic electro, chicago house, detroit tech and throws down a distinct sound and flavor true to his own. 17 tracks total on transparent double 12 inch vinyl. comes in a mathematics die cut sleeve.

ikonika is one of the outstanding producers of her generation. her 2008 debut >please< (hyperdub), announced a forward thinking, highly melodic, twisted take on uk underground dance music. after further singles for planet mu and hyperdub, she went on to release one of the best albums of 2010 ‘contact, love, want, have’, receiving glowing reviews from the guardian, bbc, nme, fact, resident advisor, pitchfork among many more. her remix projects have included interpol, caribou, cubic zirconia and dj mujava.

dj rocca kicks off his new release with a bouncy, deep and machine driven track laced with occasional synth stabs and highlighted with simple but effective percussion. next up is a wonderful track weaving in out of a harmonic house theme and a synth heavy banger. this tune will definitely drop some jaws and raise some eyebrows on the dance floor with dancers mesmerized by the lightness with which rocca switches up the game in one tune. to finish up the ep the b-side serves up a house heavy theme with a slightly distorted vocal and a more psychedelic slow jam perfect for the next late-late session.

phonograph music proudly presents their birth release *we are here* by square room heroes this is the debut release for the greek berlin- thessaloniki based duo who they have previously recorded eps with visionquest, claap music and high stings, they are back with some excellent house grooves with lots of roots of u.s house this ep features two tracks, the a-side (ny) is a solid deep house with hypnotic vocals on the background and cool pads, simple but effective. at the b-side (strictly house) it is one to drop at the right time to change the mood on the floor.

nice price deal !!! after his eternamente ep on mathematics, giorgio luceri returns with an amazing debut full length album. combining classical keys with the old and new sounds of electronic music, he creates an atmosphere perfect for dark club floors, open air festivals, and afterhours. 10 tracks total. comes as crystal clear double 12 inch vinyl in a mathematics die cut sleeve.

kolour limited - new offshoot from kolour recs focusing on the nu disco / slo mo side of things first up is an ep from canadian maestro eddie. 2013 repress

for the first time ever, the ives brothers cult debut album is reissued, here in remastered format. spread across 13 folk electro-acoustic pieces, an english love ode mixed with a melonconic darkness that transcends any simple happy-hippy pigeon-holing to offer much more. emotional rescue is delighted to announce welcoming the enigmatic, electro-acoustic duo woo to the roster.

rhythm plates re-emergence through their pressed for time label continues apace on this second release, a split 12 inch that pairs a new cut from matlocks finest with solo productions from ant plate as yse and yse saint laurent. hissy warehouse beats, simple chord vamps and rapturous oh-vocals characterise yses dryish yet muscular 99% invisible, whilst plates yse saint laurent contribution when you love me pairs some r&b vocal sampling with drawn out synths and wispy percussion placed on top of a grooving bassline similar to bernard badies 09 mojuba hit move to the beat. rhythm plates submission, i think i ve dreamed this before adds a warming calmness to the ep, allowing a spirited synth line to traverse its arrangement like a geisha float-walking through an japanese garden of snowy arpeggios and moss covered basslines.

from the soul-stirring opening strains of ex friendlys sublime start to the people are looking at you imprint, it is clear that the emerging nottingham-based producer has a gift for music that travels further than mere surface physical response. in a scene littered with disposable vocal turns, the simple poetry of rich medinas narrative that runs through journeyman resonates perfectly with the yearning strings and low-slung, bass-rich groove that come to define this exquisite approach to deep house. jonno & tommo hone in on the more rhythmical elements with their own dub of journeyman as a clearer club-ready intent meets with the psychedelic potency of the aqueous sound effects and that ubiquitous string hook. whether reaching for a more meaningful dimension to add to a set, or to simply drift away on the cradling nature of the music and its message, it is clear from the outset that this is music built to last.

simply he has never done us. the low-key friendly turkish producer with the unpronounceable name, has never made music for the hip all-together-happiness-floor. the man comes from jazz and blues. and at tolga baklacioglu means electronic music production to test the depths of house music. sometimes tricky, sometimes playful, sometimes psychedelic, but always deep. his tracks have often a length of eleven or twelve minutes. music takes time. prime-time music sounds different. and that is why we like him. and so tolga published with *feeling now and then* his fourth lebensfreude - ep. music that was heard up to buenos aires, where the argentine producer and dj violett (telegraph/unfoundsound/igloo) contributed a functionally magical remix. one thing we know. this time it will not be simple again. luckily.

another exclusive cooperation of internasjonal / full pupp and friends. this time we took three tracks from the second album of italys fine cosmic/kraut duo crimea x and bjorn torske wich was originally released on hell yeah and gave them an extra special prins thomas diskomiks twist. the result is as for me, especially convincing in dream is gone which almost sounds like a warm late 80s club version of a new order track. which, again, hopefully says something about its future fanboy / fangirl potential. so simple and so nice!

beach mode (keep it simple) is the perfect snapshot of ikonikas new album aerotropolis. it is also her first vocal track, graced with the voice of *one to watch*, jessy lanza. beach mode combines sunny salsa-like chords and claves, inspired by latin freestyle dance music from the 80s, with jessys vocals cutting in over some soaring rough synths. it is a refreshingly straight forward and sensual piece of pop dance. side b starts with a dub mix for all the vocal haters, while the percapella version breaks it down into a syncopated drum track and a slightly dubbed take on the vocals, giving it a tracky and colder toughness reminiscent of early chicago house music. get into beach mode.

old future music is an exciting new independent record label based in naples. the label prides itself on understanding and delivering quality deep house & funky music. its founding members are all specialize in various different areas of the business, from promotions to web design, from investments to industry contacts. every possible part of business/industry relation has been covered, enabling this young company to meet the same level of professionalism found in many of the already larger, long established record labels.
but of course, old future music was not set up just with business in mind - far from it - the founding reason for this label is simple ... for the love of house music because the future is in the past! our influences are: all the things makes with heart and love for music.

twd or the wild division records a new techno label based from terrassa (bcn) founded trough the collaboration between spear, dustertraum and miki craven. the label aims to follow a dark moody side of techno music, with simple structures and analog sounds reminiscent the old mid 90s productions. this label is the result of the work of the last three years between this three artists. the label will count with more international artists who will take part with the label signing and remixing further references.

lewie day - aka tornado wallace - ups the meteorological ante and turns in some laser-guided, ethno-hypno, eco-lectro jams for the eighth beats in space records release. the three tracks of tornado wallaces desperate pleasures ep sound like the work of a comfortable yet adventurous producer who isnt afraid to take a simple yet exotic theme and stride to the other side of the jungle.
pressing on translucent, multicolor marbled vinyl.

what do you do when a live project exceeds its own ambitions? just keep doing the wonderful concerts and eventually head to the studio. sounds simple and conclusive. in the case of karocel, that was exactly how they went about it and surprisingly, all six band members made it happen. though the four marbert rocels, mathias kaden and michael-mitchi-nagler have known each other from their hometown along the gera-jena-erfurt corridor, and the karocel live shows have been well received: an album is an entirely different beast.

who shade is no other than danilo from lula circus! a new project which is more deeper and with some great disco influences. in my dreams is really a earworm! we love this amazing tune and also the remix from berlin based guys kollektiv ost, well known from her releases on labels like simple as that

warriors includes a strong message to protest against a nuclear power plant and any form of nuclear use, and portraits hopis prophecy with full and official permission from hopi, native american. hopi means people full of peace and their approach to life is very simple.
do shock booze (totem traxx, yoichi hayashi), jakam (juzu a.k.a. moochy), omb (frame) and oscar l (stereo productions, toolroom, shinshy records, beatfreak recordings) debuts for totem traxx records from japan. 4 amazing tracks ready to rock the dancefloors! full of great talent, this release features several great producers including: welcome to the new japanese tech house style.

i m going to spoil everyones fun here and now and tell you (if you hadnt already worked it out) that it is luke, spelled backwards. simple. why luke? again, simple - the young gentleman who penned these glorious ditties goes by the name of luke campion. a name to remember.
you may remember campions debut release - apparitions this time last year. lukes sound has matured and developed since then, and aprwax004 is his latest statement piece.

nick lapiens debut release as metropolis garnered little attention when it materialized last year. a skeptical yet dedicated network of underground heads built up a subterranean buzz that has yet to spread into the daylight. that initial transmission was thick with the raw analogue flavors that have become ever-present in dance floor fare recently—but his is a sound that is dedicated to the emotive, narrative aspects of electronic music rather than simple fetishization or passing curiosity in the days of yore. this, his second release as metropolis, shows a more focused and patient hand at work. the titular track on the a side is a deep, psychedelic groover. melodies, textures and sequences undulate and intertwine within a lightless atmosphere guided by lapien with optimum restraint. equally pensive and gorgeous, the flood serves as a machine’s beat-less foil on the reverse. made up of little more than feedback and two slow, echo laden arpeggiated sequences, this is reminiscent of jean michel jarre’s more sinister moments: a brilliant paradox of economy and indulgence. expect to hear more from lapien here at sequencias. he has many more dark corners left unexplored.

lío en río is the epilogue for con mi tiempo y el progreso, linda miradas sophomore album, a wonderful collection of summery disco-pop gems. five of the albums songs are remixed for this e.p.

after the joyful mess caused by brandy on adventurous dancefloors, qoso goes deeperwith three subwoofer-friendly tracks mixing house, techno, and just enough sonic dirt. hard on the boulevard has proved its efficiency already on some of the sweatiest parisian dancefloors. solidely grounded on a a slightly saturating bassline, it gets its driving force from a melodic sample fighting to get out of its cutoff filters and will sneaky easily as a peaktime weapon in every dj bag. it is as simple a that, really.

!k7 are proud to announce the forthcoming album of will sauls moniker close. within the world of electronic music, will saul is perhaps best known for aus music and simple records, the labels he set up and has a&red for over a decade. between them there have been over 100 vinyl releases from the inuential likes of joy orbison, carl craig, pearson sound, scuba and actress, as well as eps that helped to break upcoming talents like bicep, dusky, midland and george fitzgerald.